The last, the very last
So richly, brightly
dazzling yellow.
Perhaps if the sun's tears
could sing against a white stone.
For seven weeks I've lived in here,
penned up inside this ghetto.
But I have found my people here.
The dandelions call to me and
the white chestnut candles in the court.
Only I never saw another butterfly.
The last, the very last.
So richly, brightly
dazzling yellow.
Perhaps if the sun's tears
could sing against a white stone.
Such, such a yellow
is carried lightly way up high.
It went away I'm sure
because it wished to
kiss the world good-bye.
The last, the very last.
So richly, brightly
dazzling yellow.
Perhaps if the sun's tears
could sing against a white stone.
That butterfly was the last one.
Butterflies don't live in here.
The poem above was written by Pavel Friedman on June 4, 1942. He was born in Prague on January 7, 1921, deported to Terezin Concentration camp in April of 1942 then eventually to Auschwitz where he died on September 29, 1944.
His life ended at same time (age wise) as the second half of mine began (I’ll be 46 in March 2011) Pavel was only 23 years old. I was married on June 4, 1988…I was 23 years old.
This poem has touched my heart since I was a little girl and would borrow the collection of poems, I Never Saw Another Butterfly, written by children forced to exist in Terezin concentration camp, from our synagogue library. They haunted me, inspired me, guided me to appreciate life, each precious moment.
When I saw a link to Trudi's blog on Sharmon's and Caterina's, I decided to participate in the Butterfly Project and asked my girls if they would too. The museum is collecting 1.5 million butterflies for an exhibit that will open in 2013, each butterfly represents one child who perished during the Holocaust. Over Thanksgiving weekend, we created our butterflies. It felt like an appropriate weekend for the project.
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I struggled and struggled, becoming more and more frustrated trying to draw a shape I liked and then cutting it out. Next poking small holes into the three layers of paper, threading my big eye beading needle and tiny glass beads through the needle and then the holes to embellish my butterfly. I had to keep reminding myself to breathe, relax...but my mind kept saying "This should be easy, this is a simple task for you!" I got caught up in a drama of my own mind's making.
Later in the week when I spoke to my physical therapist about my frustration at performing a task that used to be a joy for me, he did a simple test with my eyes, having me follow his finger as he moved it and I moved my eyes. He detected a slight lag in my left eye, the one that had been partially paralyzed and led to my MS diagnoses over a year ago now. My Dad checked it out too a of couple days ago. He saw the same thing. NO WONDER it is so hard for me to collage, draw, bead, create with my hands the way I used to. I was blaming it on my lack of energy or even some kind of laziness on my part. I didn't understand my body's wisdom to avoid these beloved activities. And yet I have not done much art work with my hands over the past two years. A few small projects here and there. The truth is, my EYES are different now and my hands cannot coordinate with them through space the way they did in the past. This is sad for me. I loved "making art" and was always busy creating with my hands, ever since I was the little girl who loved the poem above. The myelin that should be covering the neurons that tell my left eye how quickly to move in tandem with my right eye will likely NOT regenerate any more at this point. This is how it is.
And so...I am gifted with a love for and ability to still see and capture images through photography. It is a different creative process, but I am free to explore the view through my camera and collect all the butterflies, trees, faces, sunsets and sunrises, buildings transforming through time and weather, and reflections upon water and glass, whenever I am looking through the windows of my comfortable house or out in our car as a passenger. I am free. I am alive. I am here. My suffering is insignificant, a grain of sand to what these children, their parents and grandparents were forced to experience. I pray that my butterfly, and the ones my daughters made with compassionate intention, will serve to honor the memories of Pavel, and the 1.5 million other children who perished during the Holocaust. Children who never had a chance to marry and have children of their own, yet who appreciated precious moments while they still could catch glimpses within the confines of the camps and the horrendous conditions of their short lives.
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| Laura's photo, stitched and beaded butterfly |
My butterfly offering is formed from a photo of a window with reflections of leaves; transformation from one season to another. It is beaded and stitched onto bright paper...sky colors...freedom colors.
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| Rosewillow's felted butterfly |
Rosewillow's butterfly was felted with bright wool onto the remnants of a piece of old denim from worn out jeans.
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| Belin's collaged butterfly |
Belin's butterfly contribution is a collage of National Geographic articles giving reports of the war from that time. (I have a lot of old wonderful old magazines from when I collaged and facilitated SoulCollage workshops!)
I LOVE the butterflies my girls created...each as unique as my daughters...and you know, I kind of like mine too now.
Thank you Trudi for collecting these butterflies...I hope my blog post will add to the "Butterfly Effect" and entice others to join in too!
You can send your butterflies directly to the Holocaust Museum Houston
or to Trudi @ Two Dresses Studio.
Ours will be on their way soon!
Gentle Steps,
Laura
PS. As I finish editing this post, I can hear the most beautiful ethereal music outside my window...an owl has come to visit our woods again.